Everything can be exhibited: trinkets from the Second French Empire, a collection of photographs, a boudoir from beyond the grave, a heroine famous for her beauty, her extravagance and her pitiful end. Everything can be exposed: a woman for another woman… , the fear of one’s own body, a way of entering a scene, the thrill of seduction, abandonment, the reassurance of objects, a ruin. Over the course of four decades, the Countess Virginia Oldoini Castiglione returned to the same Paris studio to be photographed, posing in different tableaux to mark the moments of her life, real and imagined. Examining the myths around icons past and present, Leger meditates on the half-truths of portrait photography, reframing her own family history in the process.